Doing Art – Again
Nevertheless it’s been many years since I have embarked upon any kind of real art project beyond the occasional crafty kind of thing. Oh, I’ve dabbled with watercolor, and I’ve done some cutesy little things, like menus for our Mardi gras dinners, but I haven’t gotten out the oils or the acrylics and done a painting, nor have I seriously drawn. Don’t even mention calligraphy. I haven’t kept up and the art form has really shot up into the upper zonisphere of craftsmanship.
However, I am a paper freak and I love to manipulate it and do things with it. I messed with collage a long time ago, and really had some fun “preserving” ad art that I liked by making poster sized collages with them, but I never took it too seriously. Thus when I realized collage had made a comeback in the form of altered books and artsy cards, I got really interested and started looking at the magazines and how to books.
My basement office (awfiss for those who have had the intestinal fortitude to venture beyond the threshold) is now a hive of paper activity. I have collected a whole lot of junk that scrapbookers use. The tools are very handy and I’ve been experimenting with cards. My paper collection is getting to massive proportions, which is what artists need. Somewhat like shopping for a recipe, making art requires an inventory of odd assortments because you never know what turns a project can take, just by changing a color, a texture, or a pattern of paper.
I selected a box of Readers’ Digests from the AAUW book sale that will be made into altered books. I just can’t feel guilty about destroying one of those and the covers are great.
And so it has happened. I bought my first tube of acrylic paint in about 30 years, give or take, some bottles of matte and gloss medium, not to mention gesso and a bottle of glaze medium. Today I opened the old green toolbox that held my acrylics and had a good laugh. Cadmium yellow medium was $1.65 – same for Iridescent Copper, Gold and Silver. (Was the Goddess of Painters looking over my shoulder? The other day I passed up those and bought bronze!) Acra Violet, $1.70; Red Oxide, $1.00; Raw Sienna, $1.15; Dioxazine Purple, $1.50; and some real treats, the Modular colors! They were a whole new line brought out in the early 1970s, and we’re talking about when Liquitex was the product of Permanent Pigments, Inc.
The majority of these paints were purchased at The Flax Co., a multi-storied art supply store on Wabash Avenue in Chicago. These days, the once mighty Flax store is down to just one Flax, Brian, and he’s sticking to framing other people’s art.
I had to toss out a lot of the tubes, but most of them were pretty well used up anyway. The ones that still had some give to them are likely to be fine. Going along with the sticker shock, I decided to do a comparison study of prices among the two local craft emporiums and Cheap Joe’s. Joe wins, hands down. I know what I need, and the savings is large enough to absorb shipping. Besides, Joe’s people know art supplies, so when I have a question, I don’t get a blank stare, I get a good answer and a lot of advice.
Besides the scary price tags – that tube of bronze set me back $9.39 – I’ve also discovered that you don’t just go buy a tube of acrylic paint anymore. Oh, no, it’s now called Heavy Body paint, as opposed to stuff in little jars. (I priced those out and about choked.) They also make two grades of tube paints, much like Windsor Newton does with their watercolors. The cheap “student” paint is made in China, and the expensive “professional” paint is now made in England, not Cincinnati. Our country just doesn’t make anything, anymore. No wonder a tube of paint costs so much – by the time we factor in the living wage an English citizen makes (that includes national health care, thank you very much), and the cost to ship the stuff, we definitely have $10 worth of paint. Luckily Cheap Joe can do better than that!
Back to the red Bieffe drawing table Brian Flax sold me in ’77 for $50 - the current model retails for $350 – who knew, huh?